fuji f10 camera manual

When this setting is enabled, the specified time difference is applied when pictures are taken. Use this function when traveling to destinations in different time zones. 1 Press “c”. Macintosh Once the image has been saved, the window below appears.Dive up to 40 meters underwater with your FinePix F10 digital camera. To disconnect, pull out Rated Input Capacity the plug gently. Displayed for PictBridge. This message appears when printing is performed from a FUJIFILM printer that supports PictBridge.In such a case, erase all frames or format the picture card before use. FUJIFILM shall not be held liable for damages resulting from errors in this Owner’s Manual. Read these Safety Notes and your Owner’s Manual carefully before use. If a problem arises, turn the camera h After reading these Safety Notes, store them in a off, remove the battery, disconnect safe place. FGS - 507102 - FG Printed in Japan. OWNER’S MANUAL 1 2 3 4 5 6 Getting Ready Settings Using the Camera Advanced Features Software Installation Viewing Images Sign up now. To learn more about what we’re about, please explore Innovation at the Fujifilm global website. Contact Fujifilm with your question about FinePix Digital Cameras. Read on for all the details.Small, compact, and light weight, the F10 offers Fujifilm's fifth generation 6.3-megapixel Super CCD HR, which produces file sizes as large as 2848 x 2136 pixels. The camera is fairly compact at 3.6 x 2.3 x 1.1 inches (92.0 x 58.2 x 27.3 millimeters). The mostly metal body (only the battery door is plastic) is quite light at 7.1 ounces (200 grams, with the batteries and memory card loaded. The 3x telescoping lens and built-in lens cover keep the Fuji F10's front panel fairly smooth when not in use, allowing the camera to slip into a pocket or purse without a hang-up. Focus is automatically adjusted, and ranges from 2.0 feet (60 centimeters) to infinity in normal mode, or from 3.1 inches to 2.8 feet (7.9 to 83.

• fuji f10 camera manual.

Please follow the instructions carefully. Getting Ready Using the Camera Advanced Features Settings Software Installation Viewing Images BL00464-200 ( 1 ) BY OPENING FUJIFILM warrants to you that Media is free from any defect in material THE PACKAGE, YOU ACCEPT AND AGREE TO BE and workmanship under normal use for ninety (90) days from the date of BOUND BY THIS AGREEMENT. Drink large quantities of water and induce vomiting. Exif Print Format is a newly revised digital camera file format that contains a variety of shooting information for optimal printing. camera. The use of other brands of rechargeable battery could cause faults or damage to the camera.Press the “POWER” button again to turn the camera off. The lens moves when the camera is in Photography mode. Take care not to obstruct the lens. Photo mode button Playback: Press “ T ” to enlarge the image. Photography: Select the quality mode, sensitivity and FinePix COLOR settings. Playback: Specify the print order (DPOF) settings. However, it may have difficulty focusing on the following: walls or subjects dressed in the same color as h Very shiny subjects such as a mirror or car. Clear playback or playback zooming may not be possible for still images shot on cameras other than the FinePix F10. Press “d” or “c” to select the erasing frame (file). 1 0 0 0 0 0 9 1 0 0 0 0 0 9 N N N 8 8 0 0 2 2 3 3. A general guide is given below.To cancel Macro mode, press the “ N N N 1 1 1 1 0 0 0 0 button again. In this mode, the flash fires in bright as well as dark conditions. The FinePix COLOR setting is retained even when the camera is off or the mode setting is changed. Back up important frames (files) onto your PC or another media. Press the “ settings, perform step P R I N T O R D E O R D E R R ( D P O. Adjust the volume to suit your condition. The movie is paused during playback. 2 3 4 6 7 8 9 1 0 1 0 S E T S E T C A N C E L. Press “a” or “b” to change the setting.The larger the number, the larger the volume is emitted.

Metering options on the F10 include the default 64-zone Multi mode, which bases exposure on contrast and brightness values read from the entire scene, as well as Spot and Average options. White balance options include an Auto setting, as well as Fine, Shade, Fluorescent Light-1, Fluorescent Light-2, Fluorescent Light-3, Incandescent, or Custom settings. (The latter lets you set the color balance based on a white card held in front of the lens.) The F10 also features an unusually wide-ranging adjustable light sensitivity setting, with Auto, 80, 100, 200, 400, 800, and 1600 ISO values available. The Auto option actually ranges from 80 to 800 equivalents. Top-3 and Final-3 Continuous shooting modes include Top 3 (shoots and saves 3 frames), Final 3 (shoot up to 40 frames, camera saves last 3), or Long-period continuous (the camera shoots and saves up to 40 frames). The Red-Eye Reduction mode fires a pre-flash a fraction of a second before the exposure itself, to make the irises of your subjects' eyes contract, avoiding the red-eye effect. Slow-Synchro combines the flash with slower shutter speeds, to allow more of the ambient lighting into your exposure. (Slow-Synchro is handy for getting more natural-looking flash photos at night, with more of the background visible.) Flash range is rated as 30 centimeters (1 foot) to 6.5 meters (21.3 feet) at wide-angle, or to 4 meters (13.1 feet) at telephoto. In our own tests though, the flash underexposed slightly even at 8 feet with the lens in its telephoto position and the ISO set to 80, and brightness decreased with each foot of increasing subject distance. A Self-Timer mode provides either a two- or 10-second delay between a full press of the Shutter button and the time that the shutter actually opens, helpful in self-portraits or group photos. (The shorter delay is handy for times when you want to use a tripod or prop the camera on something when shooting under dim conditions, to avoid blurred photos caused by camera shake.

9 centimeters) using the camera's Macro setting. The Fuji F10 employs a TTL (Through The Lens) contrast-detection autofocus mechanism, and offers a choice of center or area AF modes, as well as a continuous mode. When in area AF mode, the camera indicates the AF point that was used on the LCD display. The camera can also focus in fairly dim lighting, down to about one-quarter the brightness of typical city night scenes with its AF-assist light turned off, and in complete darkness (on nearby objects) with the AF light enabled. For framing shots, the F10 offers no true optical viewfinder, only a color LCD monitor - although at 2.5-inches it is fairly generous in size. The LCD is not only larger than average, but quite accurate, showing almost exactly 100% of the final image area. An information overlay reports camera settings (including aperture and shutter speed) on the LCD monitor. There are also two less common record-mode displays. In the first, a framing guideline option displays an alignment grid which divides the image area into thirds, both horizontally and vertically, making it easier to line up tricky subjects. Even more unusual, the post-shot assist display mode shows the last three images captured since switching the camera to record mode alongside a live view, to assist in framing shots with similar composition. In straight Auto mode, the camera controls everything about the exposure, except for options like zoom, macro, and some flash settings. Manual mode keeps the camera in charge of aperture and shutter speed, while the user retains control over certain other variables, including exposure compensation, metering mode, white balance, and AF mode, as well as all flash modes. Scene Program options include Night, Sports, Landscape, Portrait, and Natural Light, with each scene mode offering a limited subset of the camera's manual controls.

) Its very fast shutter response combined with good high-ISO performance also make it particularly well-suited for shooting sports and other fast-paced action.The smooth front and rear panels, and the rounded hand grip make pocket retrieval hassle-free, and the sleek, silver metal and plastic body is attractive, fashionable, and rugged. Though compact, the F10 fits the hand well, and the smoothly curved handgrip on the right side provides some grip. The included wrist strap provides some extra security. The Fujifilm F10 weighs in at 7.1 ounces (200 grams), with the batteries and memory card loaded. Turning the camera on extends the lens about an inch and a quarter from the camera body. A shutter-like lens cover protects the front of the lens when closed, and quickly retracts when the camera is powered on. Near the top of the front panel are the flash, self-timer lamp, and AF assist lamp. Two small holes below the lens barrel mark the location of the camera's microphone. Bundled with the camera is the terminal adapter, a small device measuring approximately 1.75 x 1.5 x 0.5 inches (45 x 38 x 13 millimeters), with a five inch (127 millimeter) cord attached to it. This doubtless helps reduce the size of the camera, but requires you to carry an extra piece of hardware with you when travelling. It would seem more sensible to design the two devices so that they use the same connector (with the power supply simply ignoring pins unrelated to power), so that the power cable could plug either into the terminal adapter, or directly into the camera body. As is, if you bring your power supply but forget to bring the terminal adapter with you, you will not be able to charge the camera's proprietary battery pack. The LCD does seem fairly easy to view in most lighting conditions (it's even surprisingly usable in full sunlight), so many users likely won't even miss the optical viewfinder.

) The F10 also features a Movie mode, which captures movies with sound at either 640 x 480- or 320 x 240-pixel resolutions, both at 30 frames per second. Maximum recording times vary, depending on the resolution and amount of available memory space. A Voice option in Playback mode lets you record short audio clips to accompany captured images. At the full six megapixel file size of this camera, you can get a grand total of 2 images on this card; the manual claims 3, but that depends on how easily compressed the image is; I only saw 2 fit in the shots I took. So it goes without saying that before you leave the camera store or click on the checkout button, you'll want to add at least a 256MB xD card to the mix. Battery life was a very pleasant surprise, with a worst-case run time (capture mode with the LCD turned on) of four and a half hours with the included battery. Very impressive, so much so that it's safe to say that most users won't find any need for the second battery that I usually recommend. A software CD loaded with Fujifilm's FinePix software is also included. Installation of software is not required on most Macs or PCs, however, because the camera supports PTP mode, which allows the camera to appear on the computer as a hard drive. With fully automatic control over shutter and aperture (except in long exposure mode), the Fuji F10 proves very approachable for beginners. Five preset Scene modes simplify common shooting situations, and a handful of image adjustment options provide some creativity. The camera's relatively straightforward user interface means little time is spent learning how to operate the camera, making the Fuji F10 good for shooting on the fly. Thanks to surprisingly good high ISO performance for a compact camera, the F10 should prove useful in the poor lighting conditions many users will encounter (birthday parties, evening shots, etc.

Up to 11 thumbnails are shown at once, alongside a bar which allows you to see the dates of all images on the flash card; you can then use the Four-way controller to select which day you want to see images from. When in playback mode, the zoom toggle lets you zoom in on the image to check small details, and the Four-way controller lets you pan around the image when zoomed in. The user has control over zoom, ISO sensitivity, macro mode, high-speed shooting, continuous shooting, color mode, and some flash settings.Each scene mode biases the camera for a particular common photographic situation, and different scene modes allow a different subset of the camera's total manual controls to be accessed. The five available scene modes, selected through the menu system, are as follows:Exposure compensation is not available, and shutter speeds as long as three seconds are favored (so a tripod is recommended). If the long exposure mode setting is enabled in the Setup menu, the aperture is locked at wide open, and shutter speeds range from three to 15 seconds, which must be set manually using the four-way controller. Only the slow sync and red-eye reduction slow-sync flash modes are available, unless the camera is in long exposure mode, in which case only the forced and red-eye reduction flash modes are available.Exposure compensation is not available. Only the Auto and Forced flash modes are available. The camera gives priority to faster shutter speeds to freeze the action.Exposure compensation is not available. The flash is disabled, as is Continuous mode.Exposure compensation is not available, and nor is Continuous mode.Exposure compensation is not available. The flash is disabled, as is Continuous mode.When in Playback mode, half-pressing this button quickly returns the camera to Record mode. If the camera is powered off, holding this button in briefly will power the camera on in Playback mode, so the lens doesn't extend.

The following options are available: In Movie mode, resolution options are 640 x 480 or 320 x 240 pixels.In Record mode, the left arrow turns Macro mode on or off, while the right arrow controls the flash mode. The up arrow brightens the LCD display's backlight, and the down arrow cycles through the self-timer options. In Playback mode, the right and left arrow keys scroll through captured images. All four arrow keys pan the view of an enlarged image. In Record mode, these are text overlay, image only, framing guidelines with text, or post-shot assist (which shows the last three images captured since switching the camera to record mode alongside a live view, to assist in framing shots with similar composition). In Playback mode, they are text overlay, image only, nine-image index, or 11-image index by date.Exposure modes include Scene Program, Auto, Manual, and Movie (Manual mode does not allow user control of shutter speed or aperture). Pressing the Menu button displays the following options (not all options are available in all modes): Continuous mode increases battery drain, since the camera is focusing all the time between exposures, not just when the shutter button is half-pressed. You must let go of the zoom rocker briefly and then press it again to continue from the optical to digital zoom, or vice versa. Pressing the Menu button displays the following options: The OK button saves the change, or the Back button cancels.Also removes protection, and offers options to protect or unprotect all images on the card.The OK button starts and stops recording; the Back button restarts recording when it is under way, and cancels recording if you have not yet started it.Just as important as an extra memory card is a tool to rescue your images when one of your cards fails at some point in the future. I get a lot of email from readers who've lost photos due to a corrupted memory card.

The zoom rocker is at the top right of the rear panel, and a small indentation in the center of the rocker (as well as the panel below it) provides a fairly secure thumb rest to counter the front handgrip. The Playback and Photo Mode buttons (the latter marked with a stylized 'F' character in Fujifilm's FinePix logo font) are side by side, centered vertically on the camera's right rear. The Playback button doubles as a second power switch, allowing you to turn the camera on directly in Playback mode (without the lens extending) if you hold the Playback button in briefly. In record mode, the left arrow doubles as a Macro button, and the right arrow cycles through Flash settings, while the up arrow boosts the LCD's backlight for better visibility, and the down arrow cycles through the camera's self-timer modes. In Record mode, the display modes options are text overlay, image only, framing guidelines with text, or post-shot assist (which shows the last three images captured since switching the camera to record mode alongside a live view, to assist in framing shots with similar composition). The shared xD-Picture Card and battery compartment is to the right of the tripod mount (as viewed from the rear), with a hinged door that slides out before opening. The door doesn't lock, but latches closed fairly firmly. Note that there is no latch to hold the battery in place, so once the door is opened you should take care not to drop the battery accidentally. The distance between the battery compartment and tripod mount is too short to allow quick battery or card changes while shooting with a tripod. I initially found myself wondering why the camera's sound seemed to randomly get louder or quieter, until I realized that the speaker is in exactly the wrong location: When holding the camera with both hands, the only logical position places your thumb directly over the speaker holes, muffling the camera's sounds.

The Power button simply cycles the camera on or off, and the Mode dial sets it to one of four exposure modes - Scene Program, Auto, Manual (which allows more control, but doesn't give full control over either shutter speed or aperture), and Movie mode. As well as the camera's optical zoom, the flash, macro mode, self-timer, and LCD backlight strength can all be adjusted in Record mode without entering the menu system. When you need to access these menus, screens are short and sweet, and require little navigation. Users familiar with typical digicam features and nomenclature should be able to operate the camera straight out of the box, referring to the manual only for more specific details. Even novice users should need less than an hour of studying the manual and playing with the camera to become familiar with its main features. The number of images available and resolution also appear. Pressing the Display button enables an alignment grid with the information overlay, turns the information overlay off, or enables the post-shot assist (which shows the last three images captured since switching the camera to record mode alongside a live view, to assist in framing shots with similar composition - a cool feature unique to the F10). The LCD display cannot be switched off without powering the camera off altogether. Although the user has no control over either variable (except in long exposure mode), the camera does report the shutter speed and aperture that will be used when the shutter button is half-pressed. The Display button cycles through several other options, where you can turn the information overlay off, enable a nine-image index display for seeing quickly what images are on the memory card, or sort images by date. This last is really a rather unusual feature, and could be quite useful if you have a large flash card and tend to keep images on it for weeks at a time.

Memory card corruption can happen with any card type and any camera manufacturer, nobody's immune. Given the amount of email I've gotten on the topic, I now include this paragraph in all my digicam reviews. The program you need is called PhotoRescue, by DataRescue SA. Read our review of it if you'd like, but download the program now, so you'll have it. So download PhotoRescue for Windows or PhotoRescue for Mac while you're thinking of it. (While you're at it, download the PDF manual and quickstart guide as well.) Stash the file in a safe place and it'll be there when you need it. Trust me, needing this is not a matter of if, but when. PhotoRescue is about the best and easiest tool for recovering digital photos I've seen. (Disclosure: IR gets a small commission from sales of the product, but I'd highly recommend the program even if we didn't.) OK, now back to our regularly scheduled review. The thumbnails below show a subset of our test images. Click on a thumbnail to see the full-size photo. Let your eyes be the ultimate judge. Visit our Comparometer(tm) to compare images from the Fuji FinePix F10 with those from other cameras you may be considering. The proof is in the pictures, so let your own eyes decide which you like best! The F10 generally produced good-looking color throughout my testing, with only faint color casts from its white balance system. Its color rendering was generally more hue-accurate than average. Strong reds were rather over-saturated (not uncommon among the cameras I test), magentas were shifted towards red a bit, cyan was shifted slightly towards blue (a common trick to get better-looking sky colors), yellow is a bit undersaturated. Taken as a whole though, the F10's color was better than average. My one complaint with typical subjects is that Caucasian skin tones are rendered rather pink.

Indoors, it does better than some recent Fujifilm cameras with incandescent light sources, although there's still a bit more color left in its images shot in Auto mode than I'd personally like to see. The manual white balance option delivered excellent color balance under this difficult light source though. All in all, a very good performance. Despite the loss of highlight detail, dynamic range was pretty good, thanks to better than average detail in the shadows. It didn't start showing artifacts in the test patterns until resolutions as low as 1,000, maybe 800, lines per picture height vertically and horizontally. Image Noise: Very low noise, though strong blurring and loss of detail at the highest ISO settings. Noise was pretty much non-existent at low ISO settings, and with very little loss of subject to the anti-noise processing. At ISO 400, the anti-noise processing just began to blur the finer details, but the results were far better than any other consumer-grade camera I've tested in recent memory. At ISOs 800 and 1600, the images blurred quite a bit more, but the noise levels remained surprisingly low. ISO 800 shots were a little marginal for 8x10 inch prints, but looked great at 5x7, and even ISO 1600 ones looked OK at that size. Shots at ISO 400 looked just great when printed as large as 8x10 inches. All in all, a very impressive performance. Closeups: A small macro area with great detail, though the flash has some trouble. The F10 captured a tiny macro area, measuring 1.43 x 1.08 inches (36 x 27 millimeters). Resolution is high, with a lot of fine detail in the dollar bill. The F10's flash had just a little trouble throttling down for the macro area and overexposed the top left of the frame, while the camera's lens created a shadow in the lower right corner. This was at the minimum shooting distance, much closer than most users will need to go, so the flash should work fairly well for average closeup shots.

Plan on using external lighting for your very closest photos though. Night Shots: Very good low-light performance, with good color. Fairly bright exposures at the lowest light levels of this test, with low noise at the lower sensitivities. Good low-light autofocus performance. Thanks to its remarkable high-ISO performance, the Fuji F10 does a superb job at low-light shooting. In terms of image quality, its images are exceptionally clean and crisp-looking: Its ISO 800 shot at the darkest level I test at looked better than the vast majority of cameras' ISO 400 shots in broad daylight. An excellent job overall. Viewfinder Accuracy: An accurate LCD monitor. The F10's LCD monitor viewfinder was just about 100 percent accurate at both wide angle and telephoto lens settings, though it was actually very slightly loose, showing just a bit less than the final image area. Still, very good results. Optical Distortion: Low barrel distortion at wide angle, virtually no distortion at telephoto. Low chromatic aberration, particularly at telephoto, better than average sharpness in the corners. I measured approximately 0.4 percent barrel distortion at wide angle, and less than one pixel at telephoto, but numbers a good bit lower than average. Chromatic aberration was quite low at both wide angle and telephoto. (This distortion is visible as a very slight colored fringe around the objects at the edges of the field of view on the resolution target.) There was a little softening in the corners at wide angle, but good results at telephoto. Overall though, better than average optical performance. Shutter Lag and Cycle Times: Faster than average shutter response, average cycle times. All in all, a solid performer with better than average shutter response. The Fuji FinePix F10 is powered by a proprietary LiIon battery pack, and showed really excellent battery life in my tests.

Its worst-case run time in capture mode (without the shutter half-pressed though) was an impressive 276 minutes, and run time in playback mode was a full 400 minutes. Very few cameras on the market can equal it in this respect. I usually recommend buying a second battery right along with the camera, but the F10's battery life is good enough that most average users would probably never need it. Print Quality: Good prints to 13x19 inches. High-ISO shots look amazingly good, 11x14 inches fine at ISO 400, 8x10 OK at ISO 800, 5x7 fine at ISO 1600. Testing hundreds of digital cameras, we've found that you can only tell just so much about a camera's image quality by viewing its images on-screen. Ultimately, there's no substitute for printing a lot of images and examining them closely. For this reason, we now routinely print sample images from the cameras we test on our Canon i9900 studio printer, and on the Canon iP5000 here in the office. (See our Canon i9900 review for details on that model.) Prints from the Fuji FinePix F10 looked very good when printed as large as 13x19 inches, and were tack-sharp at 11x14. The F10's photos shot at ISO 400 looked just great when printed as large as 8x10 inches. While soft, even its ISO 800 shots were acceptable-looking when printed at that size. Bottom line, big, sharp photos at low ISOs, and truly amazing high-ISO performance.Check out our free Photo School area! With the release of the FinePix F10 though, Fujifilm has clearly outdone all their earlier efforts, the E550 included. Fast autofocus (i.e., a quick shutter response) is key to capturing fast-moving subjects such as sports action or active children. Fast action also implies a need for fast shutter speeds, and that's where the F10's excellent high-ISO capability really comes into play: High ISO is useful not only for after-dark shooting, but for capturing fast action in anything less than bright daylight.

Being able to shoot very clean images at ISO 400 rather than ISO 100 means being able to use shutter speeds four times faster. That could be the difference between a blurred mess and a crisp image of your subject. Bottom line, the Fujifilm FinePix F10 is not only a fine all-around digital camera, it's a great choice for sports shooters and harried Moms looking for a camera fast enough to keep up with their children. Definitely a Dave's Pick, and clearly one of Fujifilm's best efforts to date. Be sure to check that it is the user manual to exactly the device that you are looking for. In our database FujiFilm FinePix F10 it belongs to the category Digital Camera. A user manualFujiFilm FinePix F10 is taken from the manufacturer, a FujiFilm company - it is an official document, so if you have any doubts as to its contents, please contact the manufacturer of the device FujiFilm FinePix F10 directly. You can view the user manualFujiFilm FinePix F10 directly online or save and store it on your computer.If you have any questions, you can ask them in the form below. Other users viewing this website will have the opportunity to help you solve your probem with FujiFilm FinePix F10. Remember that you can also share the solution. If you solved the problem yourself, please write the solution to the problem with FujiFilm FinePix F10 - you will surely help many users by doing so.Ask a question - our users can help you. By using the site you are agreeing to our Privacy Policy. To view the manual translated into other languages using Google's machine translation feature, select OTHERS. The high-definition F2.0-2.8 Fujinon 4x (28-112) manual zoom lens delivers high resolution optical performance across the entire range. The EXR Processor achieves a new level of performance. Tapping into the power of its two CPUs, EXR Core and a reconfigurable processor, it provides powerful and speedy processing, even Full HD video and high-speed continuous shooting.