fuji finepix e900 manual

Because initializing the xD-Picture Card erases Auto power off function prevents leaving power the frames (files), including protected. Check your system before begin installation.Check your system before begin the installation. In this event, change CD-ROMs as directed by the (:1)Insert an xD-Picture Card into the camera, Plug on-screen. FUJIFILM shall be held liable for damages resulting from errors this Owner's Manual A series of continuous image can be recorded. Leaving an Ni-MH battery unused in storage for a long period cause a rise in the level. This could cause a fire or electric shock. The charger is designed for Fujifilm HR- Do not cover or wrap the camera 3UFiHR-AA Ni-MH batteries. Using the the AC power adapter in a cloth. FPT-507108-YP Printed in Japan. There is a square on the chart for each color on the GretagMacbeth target, and a line running from each square to a circle, which shows the color as the E900 reproduced it. The longer the line is, the less accurate the color is. If the line runs toward the center of the chart, the color saturation or luminance is off. If the line runs tangent, the hue is off. The E900 image saturated colors at 98.35 percent. The ideal is 100 percent, so the E900's performance in this measure is excellent, and unusual. Most compact cameras boost saturation significantly, which can cause problems in printing and editing images. The E900's mean color error of 7 is less impressive than its saturation score. Color error brought down the camera's overall color rating. Look a patch of clear, blue sky in a print or on a computer screen. When it's magnified, it becomes clear that it is made up of pixels of slightly lighter and darker shades. From a distance, the patches meld together to form the color the viewer expects. In a perfect image, a patch of sky would be made of identical pixels. The variation in the shades of pixels is noise. The more variation there is, the more distracting the noise is.

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Please follow the instructions carefully. OWNER’S MANUAL 1 2 3 4 5 6 Getting Ready Settings Using the Camera Advanced Features Software Installation Viewing Images Sign up now. Please follow the instructions carefully.MF (Manual Focus).BHARPNESS. FLASH BRIGHTNESSADJUSTMENT.BRACKETING.PLAYBACK IPLAYBABK FUNCTIONS CHARGING BATTERIES. PLAYBACK INFORMATION.Bstteries thst can be charged. Loop the strap over your wrist.Turn the camera on and check the battery charge. There is ample battery charge. Noicon (2)There is insufficient charge left in the batteries. The batteries will soon run out. Have a new set of batteries ready. Playback mode. Taking the picture at this Lit green AFiAE lock in progress, LCD-Monitor OFF, Setting video output point will result in the subjects being out of focus. Blinking green Camera shake warning or AF warning (ready to shoot) Using the DSC mode etc.A zoom bar appears on the LCD monitor.Exposure refers to the light that hits the CCD or the total amount of captured light and determines When the shooting distance is set correctly and the image appears sharp, the image is focused. This is the easiest mode to use and can be used This is a simple way to take pictures. This is an automatic mode to set the shutter speed. This is an automatic mode to set the aperture. Use this mode to have area in front of and this mode to freeze. Use this function for shots to get the correct brightness (exposure), such as shots with extremely high contrast between the subject and the background. Manual mode to set any shutter speed aperture setting.This mode shoots up to 4 frames (max.Set the Mode dial to Photography mode.Use the LCD monitor to check the focus.Volume can be adjusted while playing back voice memos. Adjust the volume to suit your condition.Volume can be adjusted while playing back movies.When zooming changes between optical consecutively from previous numbers or begin again. Press 0001 0001.

The effect is spoiled, however, by a large, vertical chromed plate on the front of the black rubber hand grip. The plate features the FinePix nameplate and a SuperCCD logo. The lens assembly is mostly brushed metal, except for the two halves of the lens cover—thin black plastic petals that slide apart when the camera is turned on. The lens mount seems very large, compared to the glass. The outer part of the mount is a removable ring, which covers the bayonet mount for auxiliary lenses and accessories.Below the shiny area, is a small oblong slot for the self-timer light.The flash status light next to it is in dull gray plastic bezel. The flash pops up with a press of a button to the right of the viewfinder. The button is almost flush, and pretty small. The zoom rocker is wide, near the top right edge of the camera. A shallow divot fits the user's thumb. The top one controls burst mode; the lower one activates exposure compensation and is part of the button combination for manual focus. The 4-way controller is a ring, rather than four separate buttons. The FinePix button to the right of that brings up shooting options and, in Playback mode, printing options. Apparently, they're also supposed to improve the user's grip. There is a flush-mounted wrist strap lug, which seems sturdy enough. The flush mount keeps the surface comfortable. Is Fuji addressing some common misunderstanding plaguing previous models. Did consumers of the E550 think it was a cell phone, or a tropical fruit? Users should note, that the flash assembly wobbles a bit, and may not be as durable as other designs. It holds a large shutter release button toward the fron, a power button set very flush toward the center of the camera, and10-position mode dial to the back right. The battery compartment and memory card slot are behind a single door, under the hand grip. The door is latched well, so it's unlikely to open accidentally.

Digital cameras usually deliver more noise at higher ISO settings, and more noise in shadows than in highlights. Other Fujifilm cameras also do best at low ISO settings, but their performance deteriorates slowly, rather than taking the jumps that the E900 takes. We put the FinePix E900 to the test by taking pictures in decreasing light levels of 60, 30, 15, and 5 lux. In theory, the E900 should be able to produce great pictures in 60 and 30 lux as those are somewhat common settings. 60 lux is approximately equivalent to the light in a living room with two soft lamps. 30 lux is about the amount of light from a single 40-watt bulb. 15 and 5 lux are very near total darkness, but we test the camera at these levels to see how the image sensor reacts. Most image sensors produce massive amounts of noise when the light gets low and the shutter stays open longer. Below are the modified GretagMacbeth color charts shot at the four light levels with the Fujifilm FinePix E900. As the light dimmed, the image got noisier. Below is a chart showing the noise levels as they relate to the open shutter. In general, the longer the shutter is open the more noise there is. On the chart below, the shutter speeds are on the horizontal axis and the noise levels are on the vertical axis. Overall, the Fuji E900 did quite well in low light. That's slightly below average, even for compact cameras. A two-second delay isn't likely to be annoying when a user takes the camera out of a pocket or bag to start shooting. If the camera's power-saving mode shuts the E900 down during a birthday party, for example, the user might be surprised to find the camera out of commission while the guest of honor is blowing out the candles. In that instance, 2.1 seconds will feel pretty long. That's slow, but many compacts are equally slow. That kind of delay would be frustrating for users who try to shoot action.

There's a small spot for the left thumb low on the back of the camera. The top and bottom of the E900 are comfortable spots for the left hand too. That makes it even more vital that users steady the camera with both hands as they shoot. Some of the E900's buttons are set very flush to avoid accidental pushes. As it is, the push button is small and set below the surface of the camera's top. While a tap seems enough to shut it off, the shooter must hold the button down briefly to activate the E900. The button seems tweaked so that it won't turn the camera on accidentally if it's bumped in a pocket or bag, but this will obviously impact its start-up time. Direct access to the Flash Synchronization mode and Macro Focus are also good choices. The list goes a good bit deeper, though, including an independent flash exposure control, which will help improve fill flash performance. Since Fuji's chips are known for good performance at high ISOs, and good color rendition in general, it makes marketing sense to lump these features together. Usability might have prompted Fuji to add white balance in this category, but instead it's in the main menu. A separate menu comes up in Playback mode. Its automatic modes are, in fact, clear and useful. Nearly all compact cameras are easy to use in automatic, though. Exposure compensation has a dedicated button, so it's quick and easy to tweak the camera's settings. This should really pop up by itself, particularly in automatic modes. Second, the manual focus control works neither quickly, nor well. Unfortunately, Auto mode leaves ISO up to the user.In general, those settings are only marginally useful, even for beginners. Fuji's approach is to offer manual controls that allow users to accomplish the same things. The FinePix E900 won't deliver multi-image sequences of fast action, such as a golf swing, a bride's bouquet toss, or a bird landing on a feeder.

The very deeply set eyepiece is also relatively finicky about how you line up your eye: if the user gets off to one side, the view winks out. It's not easy to line up a shot with the viewfinder, which shows much less than the full view of the CCD. At 2 inches, it only offers 115,000 pixels of resolution. However, the screen does remain viewable over a fairly wide angle of view side-to-side, but not up and down. Its color is also very good, as is its contrast. Its pop-up mechanism is wobbly and more delicate than some others. Fuji reports that it is powerful enough to light as far as 12 feet for wide-angle shots, but only 6 feet for telephoto. Our use confirms those figures in an office setting. Outdoors or with very high ceilings, however, it might not reach that far. In casual shooting around the office, we took some images that show minor color fringing, and plenty of barrel distortion at wide angle. The Natural Light mode will be most useful for wide-angle views, where the zoom has a reasonable maximum aperture. Unfortunately, Fuji did not exercise as much restraint in designing the E900 as it did with the Z1. A functionless lump of chrome on the grip, that doesn't match with the curves and fillets that characterize the rest of the E900’s styling, crowds the front of the camera. There are plenty of smaller cameras, but most of them offer lower resolution and less-usable controls. Sensor size has a big influence on image quality, so it's worthwhile to put up with the extra bulk. The lens retracts flat when the camera is shut off, and nothing else projects from the camera to snag while the E900 is stowed in a bag or purse. The E900 will fit in a backpack or large coat pockets, but if those spaces are dirty, the lens setup may well take on some gunk that could work its way inside and cause problems. Just about any camera will be steadier handheld if the user holds it in both hands, so it's good that the E900 has good spots for the left hand as well as the right.

This would have been a nice inclusion on the E900, though perhaps limiting noise on a 9-megapixel chip was impossible for Fujifilm at ISO 1600. The range varies, depending on the exposure mode.There are two settings at the camera's 9-megapixel maximum resolution: 9MF and 9MN. The MF setting provides a higher-quality JPEG, while the MN setting makes a smaller file. A 3:2 setting makes wider images at a comparable resolution. The other quality settings are 5 megapixels, 3 megapixels, 2 megapixels and 0.3 megapixels. The 0.3 setting is 640 x 480 pixels, which might be right for emails and web use. The E900 is also packaged with a limited edition of Image Mixer, a program for creating slide shows on DVD or video CD. The full version of Image Mixer costs extra. It doesn't offer flash sync or remote control. The E900 can be set to print the shooting date on each image (or not), and the number of prints of each image. As the user creates a print order, the FinePix E900 displays the total number of prints to be made. In general, NiMH batteries are the best choice among AA cells, and Fuji is good to include a set. We'd suggest getting another set, though. Two cells wouldn't get us through a full day of shooting. Disposable alkaline AA cells will also work in a pinch, but they'll wear out too fast to be affordable. Of course, they're more expensive, and less convenient. However, xD-Picture cards run a bit more expensive than SD and compact flash cards. It's called the WL-FXE01, and apparently gives a wide-angle view comparable to a 24mm lens on a 35mm camera. There's also an auxiliary telephoto (TL-FXE01), which maxes out at a 248mm equivalent. On the other hand, 8 megapixels are plenty for many uses (though we found the Stylus's resolution lackluster), and the Stylus has a 2.5-inch, 215,000-pixel LCD, which blows away the E900's measly 2-inch 115,000 pixel screen.

The Stylus is well-sealed against dust and moisture, which is useful to active users and folks who want a camera to take anywhere. The E900, on the other hand, is poorly sealed and likely to suffer in moist or dusty conditions. The S80's LCD is 2.5 inches, but also sports only 115,000 pixels, the same sub-par resolution as the E900. The S80 only goes up to ISO 400, giving the E900 a full-stop advantage. The S80 pitches a little harder to the snapshooters, with more than a dozen scene modes, but it also features full manual capability.It can print or download images to WiFi-capable printers and computers within about 100 feet. It's an appealing feature that the FinePix E900 can't match. The P1 performed badly in our color and resolution tests, and its ISO range extends to only 400, a full stop less than the E900. If WiFi is important, the P1 could be a better choice. The zoom range is comparable to a 28-112mm lens on a 35mm camera, so it offers good wide-angle capability. Still, it should steady even wide-angle shots in low light. To limit camera-movement induced blur, the E900 relies on good performance at high ISOs so that users can set relatively fast shutter speeds. Since the LX1 offers a maximum ISO setting of 400 and is noisy at that setting, Fuji's strategy with the E900 gives it the advantage in low light, despite the LX1's image stabilizer. The LX1 has a 2.5-inch 207,000 pixel display, which is much more useful than the E900's 2-inch 115,000 pixel LCD.At 9 megapixels, it's a remarkably high-resolution compact, but that doesn't reach the threshold for gadgetdom. Aspects of the cameras' interfaces are similar, and image quality has a lot in common. Fuji shooters who want a compact with good quality would feel right at home with the E900. It's a sensible upgrade from standard compact cameras for users who want to use manual controls, either to learn how to use them, or because they want to actively shape their images.

The E900 offers four burst modes: First 4 frames shoots four images at 2 frames per second, and then stops to write them to memory. Last 4 frames keeps on shooting for longer, but only saves the last four frames to memory, also at 2 frames per second. Long-period shoots up to 40 images at 0.6 frames per second, writing all of them to memory. Fuji also includes its three-frame bracket option in the burst mode. Pressing the exposure compensation button brings up an information display with histogram, quality, ISO shutter speed and aperture, color setting, flash setting, white balance, exposure compensation, frame number, and date and time. The FinePix E900 shows images with no text, nine thumbnails, and a folder view showing the date shot. There's also a highlight warning available on single images. The user can rotate, crop and protect images, and then use DPOF or PictBridge printing through the Playback interface. The Playback mode also includes a sort-by-date view that speeds up navigation. While the 640 x 480 is comparable to standard video, and the picture looks pretty good, it's not time to throw away those camcorders yet. The E900 does not zoom while shooting video, records only mono sound, and the microphone picks up the focus motor's sound in a very distracting way. Its manual exposure modes include full manual, shutter priority (the user chooses the shutter speed), aperture priority (the user sets the aperture) and program (the camera sets both aperture and shutter speed.) The E900 allows the user to set ISO and white balance, including custom white balance. An exposure compensation feature works in Aperture, Shutter and Program modes. A live histogram helps set manual exposure or exposure compensation; the exposure compensation button activates it. The E900 offers three autofocus modes: Center, Multi, and Area. Center mode focuses on the center of the frame.

In Multi mode, the E900 identifies a high-contrast subject around the center of the frame, and focuses on that. In Area mode, the user can choose the focus area with the four-way controller. These modes all seemed to perform equally well. As manual focus options on compact cameras often do, it requires pressing two buttons at once; in this case the exposure compensation button and the zoom rocker. The problem is that there is very poor feedback about how sharp the image is. The LCD display is not nearly good enough to show a sharp image and there is no distance scale on the display. Even if they worked, they're beside the point: the whole idea of manual focus is that the user judges the focus. The user chooses everything in Manual mode, the aperture setting in Aperture Priority and the shutter speed in Shutter Priority. The E900 chooses both aperture and shutter in Program mode. With this system, it offers three modes: Multi, Spot and Average. In Multi mode, the E900 takes many measurements across the image, and sets an exposure based on a comparison of the data. In Spot mode, it takes a single measurement at the center of the image, and in Average mode, it takes a single measurement of the whole image. Multi mode produces good results without user intervention, and both Spot and Average can be useful when users shoot manually. It also has an automatic white balance setting, and controls for setting a custom white balance. Those E900 owners who really want to take control of their images will probably opt to set custom white balances, which significantly improve the camera's performance in mixed lighting. ISO 800 is a relatively high ISO for a compact camera, particularly for one with such high resolution. But other Fuji cameras, including last year's F10 (one of digitalcamerainfo.com's Selects), have included an additional ISO 1600 setting.

Get the E900 to shoot sharp, big files with good color, and you'll have to put up with a small LCD and do without manual focus. Well, for users concerned with image quality foremost, it's certainly worth it. If you’ve found different results in your own research, email us and we’ll compare notes. If it looks substantial, we’ll gladly re-test a product to try and reproduce these results. After all, peer reviews are a critical part of any scientific process.Purchases you make through our links may earn us a commission. That's a responsibility we take seriously, one that deserves the best effort we're capable of.But it also comes with semi-automatic and manual exposure controls, which would appeal to intermediate photographers--those who want control over their photography, but are not ready for the size and cost of a digital SLR. A quick look at shutter lag numbers also reveals a camera that is good at capturing children if you learn to prefocus. It's also attractive as a travel camera; large enough to take telephoto and wide-angle conversion lenses, but small enough to drop easily in a small bag. It's use of AA batteries adds to its travel credentials. Experienced photographers will want to review this camera's features list carefully before buying. While it offers such desirable extras as automatic exposure bracketing and RAW image format, it has almost no color-management and no custom user settings. It has a more sophisticated look than earlier Fujifilm point-and-shoots I've reviewed. Part of this may be the black body, which I confess I am partial to. But the camera also has a nice feel to it: All of the controls are well-placed, and the large patch of rubber on both sides of the hand grip is a nice touch. What gripes I have about the E900 are fairly minor. There was, however, a fair amount of lag between when I pressed the shutter and when the camera took the shot--mostly due to the auto-focus system.

It was more pronounced when shooting in low light or when there was a lot of contrast to the scene (e.g., a dark window frame and a bright outdoors scene). However, as long as I prefocused, the camera was great at getting shots of active subjects, like kids. AF shutter lag is common, so it's best to learn to prefocus by half-pressing the shutter. I found it easy to view in low light and in all but the brightest sunlight. The menus are also easy to read and navigate in bright light. For my tastes, the FinePix E900's dedicated exposure control buttons are a bit too limited. Fortunately, one of them is for exposure compensation (EV) which I use often. Another is the continuous shoot mode, which many point-and-shoots put down in the menus. One of the options under this button is automatic bracketing, which I almost always use for outdoor scenics. In playback, deleting shots is quick enough--three simple button-presses, per image. It's a small menu that contains the resolution, ISO, and color-type settings. I can think of other setting that would be more valuable here: white-balance, metering, or focus settings, for example. It would have been even better if you could select your own custom set of controls for this menu. To its credit, I found the system is relatively easy to decipher and generally quick to roll through. Novice users might find it intimidating at first, but if they use the fully-automatic mode, almost all of the menu options are disabled. In the other modes, you can end up doing a lot of button presses with the four-way selector to change a single setting. In SET mode, you are booted out of the menus after selecting many of the settings. Which meant I had to laboriously go back through the menus to make another change. Viewed at 100%, close-up shots taken at maximum resolution and ISO had a noticeable softness, but there was little obvious pixillation or noise. You do not get any distance scale in the display, nor a magnified center area.

It's also very slow. Since I rarely use manual focus on a camera of this sort, it would not be a major problem. The xD-Picture Card slot is located in the battery compartment. If you are swapping out a full card for an empty one, you have to be careful not to let the batteries slide out. Also, the Fujifilm E900's support for RAW image isn't that useful. My copy of Adobe Photoshop CS2 could not read the files, and the Fujifilm RAW converter only converts the RAW image to TIFF--there are no pre-conversion image editing controls. In general, the software bundled with the E900 seems lacking. It's okay for organizing your photos and emailing or printing, but aside from cropping and rotating, there are no true image editing tools. Fortunately, a fairly comprehensive TOC at beginning of the user manual helps. Its color is very good (if somewhat subdued), resolution excellent, and noise levels at even high ISOs are tamed very well. The FinePix E900 isn't the fastest in terms of AF speed, but it's right there in the respectable department. Its lens comes out quickly, AF points are picked quickly, and it switches between modes and menus with snap. The Fujifilm FinePix E900 is pretty good with battery power, with a worst-case run time of just over two hours with the provided rechargeable NiMH batteries. From a usability standpoint, the FinePix E900 spans a range from rank beginner (in full Auto mode) to sophisticated photographer (in full manual exposure mode). This makes it a great choice for dual- or multiple-user households, and also a good choice for someone looking for a camera that's easy to use to get started but that has additional features to offer as you become more experienced. I was impressed with the camera's performance in many dimensions, but most impressed with the print quality.Fujifilm. Please try again.Please try again.Please try again. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

Register a free business account To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness. In this document are contains instructions and explanations on everything from setting up the device for the first time for users who still didn’t understand about basic function of the camera. Fujifilm FinePix E900 user manual Files with a.pdf extension can be viewed and printed consistently by anyone, regardless of platfor. Please upgrade your browser or activate Google Chrome Frame to improve your experience. Maybe try one of the links below or a search. To learn more about what we’re about, please explore Innovation at the Fujifilm global website. You can also perform a search by using the form on the top right-hand corner of this site. The matt black FinePix E900, Fujifilm's 'power-packed compact', houses a 5th generation Super CCD HR, Real Photo Technology which is supposed to reduce noise at high sensitivity settings, ISO 80 - 800, 4x optical zoom (32 - 128mm equiv.) and boasts a 2-inch LCD. It also offers full manual control and RAW capture. Pricing and availability is yet to be announced. Furthermore, the FinePix E900 Zoom is a camera that enables huge photo enlargements that can be printed without loss of image quality or detail. What’s more, the FinePix E900 Zoom’s broad sensitivity range means that it can handle most lighting conditions. Furthermore, the large two-inch LCD screen makes it easy to view movies and share the action, without the need to rely on a TV screen. This camera has been designed with a powerful sensor that, when combined with Real Photo Processor technology, helps achieve superb photos in situations that would confound normal digital cameras.” Be the first to write one!

Despite a couple of quirks, we think it's a camera that photographers and non-photographers alike will find fun to use. 1412 Sony a7C initial review: Compact size, big sensor image quality first impressions Sep 15, 2020 at 01:00 Sony's a7C is among the smallest full-frame mirrorless cameras you can buy, and in terms of core capability, not much has been sacrificed for the sake of compactness. But are you ready to make it your next go-to travel camera. Find out how it stacks up in our initial review. 475 Panasonic Lumix DC-S5 initial review first impressions Sep 2, 2020 at 14:00 The Panasonic Lumix DC-S5 is a full-frame mirrorless camera but in a body smaller than the Micro Four Thirds GH5. It includes updates to Panasonic's DFD autofocus system, creative photo modes, and video features that come close to matching the more expensive S1H. 330 Nikon Z5 initial review review Sep 1, 2020 at 13:00 Nikon's new entry-level mirrorless full-framer feels anything but entry-level. And it may well be the model best positioned to convert remaining F-mount holdouts to Z-mount. 1224 Canon EOS R6 Review: not the hybrid king, but a great photographers' camera review Aug 26, 2020 at 14:40 The Canon EOS R6 doesn't quite live up to the full promise of its do-everything specs, but it's a great photographers' camera. We've selected seven cameras ranging from compacts to full-frame, all of which are easy to operate. Best enthusiast long zoom cameras Sep 16, 2020 at 00:41 Long-zoom compacts fill the gap between pocketable cameras and interchangeable lens models with expensive lenses, offering a great combination of lens reach and portability. Read on to learn about our favorite enthusiast long zoom cameras. Best video cameras for photographers Sep 13, 2020 at 12:00 Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos.